A short tutorial on the proper way to place an outline around type using Adobe Illustrator and the Pathfinder tool.
As designers, we often take things for granted, at least in terms of what other designers do, and don’t know. Accordingly, we sometimes don’t write tutorials or designer help features on what we consider ‘basic’ stuff’ – little tricks and techniques that we assume others just know. And that includes how to place a simple outline around type, a favorite technique of many when it comes to logo design (above). We’re not gonna talk about the other type of outlining logos – namely converting live fonts to vectors. We do that here. We’re talking about a physical outline around letterforms.This sort of thing:
Which brings me to one of my pet peeves -improperly formatted files. When working on logo animations for clients, I sometimes have to work with logos that we didn’t design, with digital assets supplied from outside sources. I’m amazed sometimes what passes for file formats these days, especially when it comes to artwork that features letters with outlines (paths), usually created using the ‘Offset Path‘ function in Illustrator, a wonderful function that allows a designer to quickly, and accurately, place outlines around type.More often than not, the outlines are a mess, and while they may look fine in preview mode, when we look at the wireframe version, all the nastiness is revealed.
Creating outlines – the proper way
First, turn any font into a vector based object by using the ‘Create Outlines‘ function in Illustrator (Type > Create Outlines). Here’s the important part. You want that word to be one object (not a whole bunch of letters) so we’re going to use the Pathfinder tool to merge the letters into one vector shape (make sure your kerning is right before doing this). Simply select all the letters, open the Pathfinder menu and click on the ‘Add to shape area button’ (below.) After that, click on the ‘Expand‘ button, and viola, your font is now considered by Illustrator to be one shape, as opposed to a series of individual letters.Now run the ‘Create Offset Path‘ function, this time on our newly merged font work. The result? In Preview mode, it looks just the same. In wireframe mode, it’s another story entirely (8 below)Now, that’s a lot nicer than something that looks like this (files from a real job) doncha think?
I know I do.