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Your new logo - Tips on getting started.
You've decided that you need a corporate logo design - either to enhance your established image, or to create a new one. What to do now? You may need a logo repair, or a completely new custom design. You should decide if you want an illustrative logo (a logo that includes an illustrative representation of what your company does), an iconic/graphic logotype (a logo that includes a graphic - or abstract - representation of what your company does), or a font-based logo (a dynamic type treatment that is unique to your company). For a look at the Pros and Cons of these logo 'treatments' see our treatment comparison page. You can also check out our various logo design categories.
You should also consider the future usage of your logo (letterhead & stationery design, brochure design, etc) as this can determine the technical set up of your design and might pose some design limitations (your TLF designer can advise you of these limitations and possible workarounds). You should also consider color choices - whether you utilize a two spot color, or four-color process design will greatly impact any reproduction rates in the future. Once again, The Logo Factory can advise you on the ways to maximize your reproduction possibilities while maintaining your logo dynamics.
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Tips from The Logo Factory Designers.
The Logo Factory designers have been in the 'trenches' for years, with thousands of successful logo and corporate identity projects under their collective belts. With that in mind, who better to ask for a series of tips and pointers when it comes to developing great logos. Here's some design advice from some of the best designers in the field. It should be noted that most of these tips are not absolutes (you'll probably be able to find examples in our logo design portfolio that will contradict each and every one). They are, however, a decent set of guidelines that will help you narrow in on the best logo for your particular requirements
Start out right.
When you're in the market to have a new logo developed, there's always the temptation to take some short cuts. Usually to save time, money or a combination of both. Trouble is, most of these 'cookie cutter' solutions will turn out to be neither inexpensive or fast, and may cause a ton of headaches down the road - especially when your fledgling company starts to become more high-profile. Some examples? You may think about using a clip art logo (not a good idea - the image probably isn't licensed for use as a logo or if it is, is already being used by a load of other people). You may think about downloading a logo template (similarly not a good idea - as most of these template sites are 'anonymous' and you're never going to be sure if the work is original. We've even found our client's logos being passed of as a template. And even if the work is legit, it certainly won't be unique. The very idea of 'templates' involves many people using the same design. And if it is unique, the chances that you'll get the correct formats are slim). Hosting a logo design contest has similar drawbacks and caveats. At the end of the day, there's only one effective way to design a unique, effective logo and that's to work with a seasoned professional with the experience to get your job right. The Logo Factory is one such solution, but if you don't elect to hire us, this advice still rings true for the company or designer that you do hire. Once you've selected your designer it's time to start the actual creative process. Some things to keep minds..
Simple is sometimes better.
A complex logo can be difficult to reproduce and more importantly, difficult to remember. Better to have a simple version for your main logo, and a souped-up version (like a beauty shot for example) when a more complex version is appropriate, and/or the reproduction medium allows. Take a look at our logo samples area to get an idea of what we created for others.
A logo doesn't have to convey what your company does.
Think the McDonald's Golden Arches. No hamburgers. Think the FedEx logo. No trucks or planes (though a cool 'hidden' arrow). Think the Nike swoosh. No sneakers or golf shirts. etc. While sometimes having a logo that portrays an element of the company is appropriate, it's often better to have a logo that's graphically void of detail - a logo that can be adapted to whatever direction the company takes. Think the Apple logo. True, it is an apple. But there's no indication that it belongs to a computer company. That's a pretty cool thing - the Apple logo looks just as cool on an iPod as it does on the top of a Powerbook.
Size matters.
Your new logo needs to reproduce at a variety of different sizes - particularly on the smallish side. Overly complex logos can 'gum up' when reproduced as a very small image. Think business card, fax header. How about a key chain? Or a ballpoint pen? Take a look at the Nike 'swoosh'. Not a very dynamic logo but it is recognizable on a shirt sleeve on the television where a complex logo wouldn't be. Think of your logo as a mega-sized image as well. Like a billboard. Knowing how your logo is going to be used, both in size and media, can help your designer create a logo that's appropriate in terms of complexity.
Aspect Ratios.
The aspect ratio (the relationship between the height and width of a logo) is critical. A logo that is too tall and skinny, or too wide and short, is not visually pleasing, and you'll end up with all sorts of layout issues when it comes to setting up your logo in artwork, especially when combined with other graphic elements (ie: business card, websites, etc). A logo that is closer to a 'golden mean' (almost the aspect relationship of a business card) is much more pleasing and more adaptable to working in other artwork. Square is pretty cool too - circle logos are very strong visually due to their 'square aspect ratio' (see her for more on logo aspect ratios & logo footprints).
Disconnecting icons and text.
If your corporate identiy is to feature both an iconic logo and a textual treatment of your company name, it's best to have the elements as distinct pieces of artwork (as opposed to overlapping, intertwining, etc). This way, you'll be able to use either the text or icon solo, and the logo will still stand up. As you've probably noticed, The Logo Factory 'house' is placed solo at the top right of every page of this website, though there is a font treatment of the company name in a distinctive font that we use from time to time. The two elements are actually pictured together in the 'true' version of our logo.
Your logo is for your audience.
Naturally, you want to like your logo (we've know lots of times were people are reluctant to use their logo as they no longer 'like' it). On the other hand, keep in mind that your logo is to appeal to your customers, and should be created with them in mind. You may be the most conservative person on the planet, but if you're trying to market to the hip-hop crowd, your sensibilities are probably different than your 'audience'. A logo that you 'like' probably won't appeal to them.
Your company's essence and 'theme'.
Your logo needs to portray the essence of your company. Are you a serious company, or one that revels in being whimsical. Are you appealing to a conservative set? Then a cartoon logo probably wouldn't be the best choice. Trying to brand a sports bar or an ice cream parlour? Then a logo that would work for a financial institution probably won't cut it either. Understanding a particular industry's 'theme' is important, and where a designer's experience comes into play.
Your logo has to have 'instant impact'.
Your new logo will probably not have the luxury of being in your audience's eye for a lot of time. In fact, you probably have a few seconds (at the outside) to 'grab' the viewers attention. If your logo needs to be deciphered, or has an elaborate 'back story' (see metaphor light) there's probably little chance that it will communicate the essence of your company, service or product effectively.
A tagline is nice, but not as part of your logo.
A tagline is the phrase or few words that describe a company, or the company's mission. Generally stated, taglines are featured under the logo (or in circular logos - around the logo). They're cool and all, but it's not advisable to include them in the initial design phases of your logo. Wordy taglines will require a small font that will become illegible at smaller sizes. Also, a tagline can create a lot of visual clutter in many applications. It's always better to have that ever-so clever tagline as a separate element that you can add when appropriate, or when doing so will not interfere with the design integrity of your logo itself.
Strive to be 'different'.
You'd be surprised how many clients have asked that we design logos that are very similar to their competitors. Kinds misses the point, no? The idea of your own logo is just that - your own logo. While it can be helpful to look at logos that your competitors are using (or even people in the same industry), this should never be used as a guide to creating your logo. The idea here is to be different than your competitors. To stand out in a cluttered marketplace. To have a logo that's better than theirs Or, at the very least - different.
Color is a secondary factor in your logo.
The most important part of your logo project is the design itself. Oh sure, it's nice to see your logo in the colors that you will eventually use, but in the initial stages of any design process the colors are of secondary importance. They can always be changed,or edited later. Now, having said that...
Consider color choices carefully.
Whether you utilize a two spot color, or four color process design will greatly impact any reproduction costs in the future. While not critical in the initial design phases, your choice of corporate color will have a ripple effect throughout all you corporate 'look-and-feel' material and is a decision that should not be taken lightly in the final stages of the design process.
Some web colors cannot be reproduced.
In traditional media that is. And vice versa. Some WEB colors are beyond a CMYK range - meaning that the color cannot be printed using CMYK or Pantone equivalents. To make things more complicated, sometimes WEB safe colors CAN be converted successfully. Best advice - if there's a particular WEB-safe color you wish to use, our designers will be glad to tell you of it's usability is outside of your monitor
Keep your logo 'metaphor light'.
While it’s nice for your logo to actually ‘mean’ something (i.e. – this color represents growth, this dot represents our product) sometimes clients wish to write ‘War-and-Peace’ with their logo’s metaphors. An overworked logo is not a pretty sight. The most memorable logos are also the most simple; the memorable complex logos are often highly rendered illustrations (see here for the anatomy of an illustrative logo), not a bunch of geometric shapes. Dozens of swooshes, dots and colors – all professing to ‘mean’ something will not mean anything to the first time viewer even though it might be a 'cool' back story to tell. Click here to see what makes a great logo.
Understand that your logo is just the beginning.
True, it's an important beginning, but a beginning never the less. Don't expect your logo to single-handedly develop your company's 'brand'. Far from it. It is only by repeated use of your logo, combined with graphical elements (your marketing artwork, ads, etc) as well as the old-fashioned stuff (business ethic, customer service, etc) that will create your 'brand' or corporate image. Having said that, however, your new logo is the corner stone of these efforts, and its pretty important to get it right.
Repetition. Repetition. Repetition.
You want to know why the Nike logo is so successful? Is it because it's a 'great' logo? Far from it. Other than being remarkably simply, the Nike 'swoosh' is painfully uninspiring. No, the Nike logo is successful because it's been seen a cazillion times more than any other sports logos. On TV. On the shirts of top athletes. On the sports equipment of almost every professional sports team out there. Simply put, the Nike logo is so successful because it's been driven into our subconscious by constant exposure. And that's the same philosophy you should take with your logo. Granted, you don't have the promotional budget of giants like Nike, Apple or FedEx, but do what you can. Plaster your new logo everywhere. Every scrap of paper that leaves your office should feature your logo. Put it on your car (could be a tax write-off too). Letterheads, Brochure. Presentation folders. Use your new logo until you're sick of it. And then use it some some more. In fact, that's a pretty good rule of thumb - at the point you're getting sick of your logo (and you'll be tempted to change it - see next tip) it's just starting to get some traction.
Don't change. (Almost) never.
Once you've developed your logo, it's in your best interest to keep it. Brand recognition takes time (some studies state that viewers have to see a logo three times - or more - before they'll remember it the next time). There's an awful lot of logo clutter out there, so only be repetition will your logo break through. If you're going to change or update your logo, think very, very long and hard about it. If you decide to go ahead, then make sure you get it right that time. Changing a logo dramatically more than once (in a short period of time) may tell your audience that you're flaky and unreliable. Not good in business. |
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Ensuring a successful project.
Tips for getting the most out of working with The Logo Factory.
Naturally. we'd like to claim that every one of the company logos on our website are a result of a hitch-free process. While it's true that the vast majority of our design projects end successfully, there has been the occasional project that's run into snags and require special attention. Here's a brief checklist of some things that can help ensure a successful design project. You can also read about logo design - some things to avoid.
Micro-edits. Cool, but of limited consequences.
As designers, we are trained in many aspects of design, graphics and technology. By the time you view preliminary designs, we have attempted every variation of that particular design, having moved swooshes, right, left, up and down. Micro-tweaks will not improve the design if it is not to your liking. Best to tell your designer that you’re not happy with the design, and work from fresh proposals. It’s highly unlikely a design that does not have the ah-ha factor can be forced into a logo that you love by moving its elements around.
All monitors are not created equally.
While we utilize every technique available to standardize color issues, there are some technical issues that are beyond even our capabilities. Your designer will assist you understanding some color issues that may affect the way you view your logo colors. We'll make sure that there are NO surprises when you print your logo. For best color accuracy we suggest using the Pantone Matching System.
Don't be afraid to ask questions.
We've set up The Logo Factory so that you can communicate with us via many ways. Our staff are among the most knowledgeable logo-designers on the planet, so their wealth of pertinent information is extensive and ALL available to you. They also wish to assist you in obtaining the best design possible (after all - to a large part, it is their creativity and work on display. They want to look good too...)
Logo design can be a frustrating experience.
Sometimes it's fun, but like any creative endeavor it can also be like 'pulling teeth'. "The design is not just 'right'", "It's just not setting me on fire" will sometimes be your reaction to designs presented. That's okay - we can't win them all (thought it would be nice to 'nail' every logo project out of the gate - it's just not possible). And remember, it a designer is creating revisions after revision in the quest for your perfect logo, they are not meaning to hold your plans up. We're all on the same page. You want a logo that you feel is worthy of representing your company. Our designers want to produce business logos that look impressive in our graphic design portfolios. As a business factor (and in terms of The Logo Factory's 'bottom line'), finishing up your logo in the shortest time is the desired outcome. The additional time that these rounds of revisions take, is being performed in your, and the project's best interests. Be patient. You will get 'there'.
Send all your revision requests by e-mail.
A simple piece of advice. While are designers are generally available by phone, and they are more than happy to assist, it's usually advisable to send your logo revision requests via e-mail. Even as a 'follow-up' to a phone call. Notes can be lost, directions can become garbled. Best to write 'em down and leave a 'paper trail'. |
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Putting our logo design tips in perspective - What it all means.
Regardless of any frustration, hair-pulling and hand wringing, at the end of the day, you will end up with a great new logodesign. One that you're proud of, and a symbol that represents you, your company, and your basic business philosophy. It is, on numerous occasions, the first (and sometimes only) piece of your company that your clients will see. And if your company is successful, it is the flag under which you will rally for a lifetime. At The Logo Factory, our designers and client support personnel are determined to deliver to you the best design solution possible. You've put your faith in us by contracting us to create the work. And we want every client to have achieved what they came to us for - the creation of a new custom logo that will make your mark in the business world. And one that we can proudly display as part of our logo design examples - saying to the world "we created this".
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| You can order your new logo through our website. Submit your project details and The Logo Factory® designers will do the rest. |
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| We can tell you how great our designers are - though it's probably better if we showed you. Check out our gallery of Corporate Logos for 100's of examples of logos and corporate identities. |
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| You can work with The Logo Factory design team to create YOUR new logo without ever leaving your office? Read our logo design process pages to see how. When you're ready, you can order your new logo through our website. |
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| The latest happenings around the shop served up with industry news and opinion. The Logo Factor - our Logo Studio Blog. |
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| Want to know what we used at the studio to create our logos, flash and web design designs? Check out our staff logo software picks. |
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| Need help? Chat live with The Logo Factory client support department (when available). If we're offline, you can leave us a message. You can also contact us via phone, e-mail or fax. |
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